Motion Design 1 ++ Winter 2020

Instructor: Michael Cragg

May 4th

Finals due

Agenda
  • Final is due today, uploaded to Vimeo
  • Wrap-up
Homework:

enjoy the summer

Apr 15th

Rough Drafts

At this stage of the process you should be around 50% done with your sequence, and starting to lay out your entire sequence. Start thinking about it as one whole piece and fill in gaps.

Agenda
  • AE demos: Ripping audio, Chroma keying
  • Group feedback in stages (20min each group)
Homework:

Monday we will have formal critique on everyone's rough drafts. You should render out your rough draft and place it in Google Drive as an mp4 before class. Include your entire sequence set to your music, even if you have black spots which are only music/sound so we can get an idea for the entire flow.

Apr 13th

Rough Drafts

Agenda
  • Check-in all together at 4pm
  • Individual check-ins, mandatory sign-up: Google Doc
Homework:

Continue working towards your Rough Draft (75% complete) due next Monday

April 8th

Motion Sprites

Agenda
  • Discuss organization and AE troubleshooting
  • Review 5 motion sprites in small groups of 3-4, ~30min
  • AE demo
Homework:

Work towards your Rough Draft (75% complete) for April 20th

On monday we will check-in on progress, sign up for a time here: Google Doc

April 6th

Design + Motion Sprites

Agenda
  • Check-in
  • Review final designs + motion sprites in small groups of 3-4, 30 min max.
  • Break
  • Office Hours - hang out, ask questions, keep working on motion studies for Wednesday
Homework:

5 total motion sprites, with audio

April 1st

Design + Motion Sprites

Agenda
  • Intro to motion sprites + some inspiration
  • Demo: importing PS/AI to After Effects
  • Review digital storyboard designs
Homework:

1. Taking the feedback you got today, add additional detail and refine your digital storyboards. Turn in a new PDF with your designs to google drive for Monday.

2. Next, create two (2) motion sprites that are less than 10 seconds each showing how your typography appears in motion, based on your digital designs. Use real footage, real assets that you have created. Export out as .mp4 and upload to drive.

Mar 30th

Transitioning to digital

Agenda
  • Demo: digital storyboarding
  • Desk crits: review animatics
  • AE demo
Homework:

6-8 representative compositions created as a storyboard in PDF form, uploaded to Google Drive.

Designs should be based on your storyboard and mood board. Your mock-ups can be a combination of photos, digital compositions (in photoshop/illustrator/by hand + photographed/etc) and video stills. They should represent actual compositions of the final title sequence.

Mar 25th

Storyboards and Animatics

Agenda

Link for class here: https://collegeforcreativestudies.zoom.us/j/122238403

  • Review storyboards, please upload as PDF to google drive.
  • Demo music markers
  • Work in class making audio markers
  • Demo - animatics
Homework:

Animatics due Monday. Photograph your templates in sequence. Utilize your chosen audio to determine cuts. Export as movie and review for missing frames or gaps in the story.

Mar 23rd

Welcome back

Agenda

We are Zooming, please join the link for class here: https://collegeforcreativestudies.zoom.us/j/122238403

  • Status updates
  • Check out Zoom
  • Project 2 update, strategies going forward
  • Demo AE text tool
Homework:

FINAL storyboards due Wednesday. Also due, Step 5b: Choose an audio track and/or voice over to help establish the pacing of your story.

Feb 24th

Day 15 - Mood Boards and Tropes

Agenda

Due today: mood boards and final final mind maps.

Homework:

Pick a narrative structure to explore that we talked about today. Start sketching, start rough storyboards. Enjoy spring break.

Watch inspiration: + space sex + race for the white house + forms in nature

Feb 19th

Day 14 - Mind Maps

Agenda

Due today: mind maps

  • Review mind maps, they will be due at the END of class
  • Work in class on mind maps
  • Demo: mood boards
Homework:

Gather your mood board together using Pinterest or other tools. Print before next class and be ready to pin on wall for discussion.

Feb 19th

Day 13 - Intro to Project 2

Agenda

Due today: 2 paragraph summary of your chosen film/show

  • Class discussion on chosen films
  • Discuss project 2 in depth
  • Demo: mind maps
  • Work in class on mind maps
  • Demo: mood boards
Homework:

Mind map examples: 1 2

1. Create a mind map on a large scroll of paper. Your mind map is your research made visual through words, phrases, drawings and images (images can be screen grabs from the film and/or shot images and/or found images and/or hand sketches.) Refer to the Project Sheet for more info.

2. Begin gathering your mood board together using Pinterest.

Project 2

Project Sheet

Title Sequence

Most people have had the experience of losing themselves in a film but probably haven’t given much thought to the transition we go through mentally and emotionally as we move from reality to fantasy. Film titles help to create this transition. The attention narrows, the “self” slips away, and the film washes over the senses. Film titles set the dramatic stage; they tune our emotions to the proper pitch so that we enter into the humor, mystery, or pathos of a film with hardly a blink.

Project Overview

  • Choose a film that is interesting to you and does NOT have a 'designed' title sequence.
  • Research the film.
  • Create a 60-90 sec title sequence using video, text, image and sound.
  • Final animations must use some video (authored by you).
  • Final animations must incorporate some 'in-camera' effects. After Effects can be used, but it should NOT be the primary tool/medium.

Duration: 6 Weeks

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Feb 24th

Day 12 - Crit and Project 2

Agenda

Due today: your final poem. Render and upload to your Vimeo before class. You should have two motion poems uploaded to Vimeo now: your first one and the new alternate one with random rule applied.

  • Review and critique motion poems
  • Intro Project 2
Homework:

Choose a film. Watch it. Watch it again. Write a 2 paragraph summation of the plot.

  • Choose a film that is interesting to you.
  • Choose a film that you are intimately familiar with, do NOT simply choose a film that you like. The more you know about the film the better (plot nuances, historical context and relevance, use of metaphor/symbolism, info about the director/actors/editor, etc.). Is the film an adaptation of a book or short story. If so, read it.
  • Choose a film that does NOT have a 'designed' title sequence.
  • It is best to choose a film 'classic' or one that has a historical context (within the film industry). Avoid obscure films, sequels and b-movies.
  • Write a 2 paragraph summation of the story. Please do not copy/paste other's wok and give credit to any source.
Feb 19th

Day 11 - Critique

Agenda

Due today: 1 motion poem with 8 words. Uploaded to your Vimeo before class.

  • Review and critique motion poems
  • Next steps for Monday
Homework:

Respond to critique and feedback. If you haven't already upload your first motion poem. Then create, render and upload the second, alternate poem with the new random rule to your Vimeo before class.

Feb 17th

Day 10 - Production

Agenda

Due today: 4 more motion studies with sound, uploaded to Google Drive. 3 finished storyboards.

  • AE Demo
  • Desk crits on storyboards
  • Work day: start building your first motion poem based on one of your storyboards
Homework:

One compelete, 8 word motion peom is due. Include sound/music that you have generated. Render with Adobe Media Encoder and uploaded to your Vimeo.

Feb 12th

Day 9 - Sound and Storyboarding

Agenda

Due today: 4 edited motion studies with sound, uploaded to Google Drive

  • Work Session - Continue recording Audio
  • Next steps on motion poems
  • Lecture and Demo: Storyboarding
  • With any time left, brainstorm with group: how would you build a narrative out of the words? Begin to explore in class.
Homework:
  1. Add sound to at least four more of your edited motion studies
  2. Storyboards for three motion poems. The motion poems will be 8 words. The order, timing, and transitioning will be up to you. The important thing is to construct a narrative. Each person needs to make their own. Build your thoughts before you get on the computer.

Consider:

  • Try to find patterns in your words
  • Consider the shared meaning or interpretations of the words
  • Are ther color similarities/contrast?
  • Light/darkness
  • How your editing style matches the definitions
  • Think of your words as fridge magnet poetry. What order of the words would be interesting to tell a story?

  • As you sketch think about:
  • scale (exaggerate), space (activate), speed (vary)
  • pacing and variation: use a variety of shots to keep it interesting.
  • build your arc: know where the beginning, middle and end of your narrative is

When creating your storyboards your sketches should suggest DIFFERENT layouts/compositions and transitions. Can be overlaid, create a grid, use blend modes, split-screen.

Feb 10th

Day 8 - Sound

Agenda

Due today: 12 edited motion studies with proper naming uploaded to Google Drive

  • Demo: recording sound external and internal. Adobe Audition.
  • Work session: record audio with sound objects
Homework:
  1. Add sound to four of your edited motion studies
  2. We will continue recording audio on Wednesday, have ideas what you want to record
Feb 5th

Day 7 - Editing

Agenda
  • Editing and rendering demo
  • Spend time in class editing
  • Desk critiques
Homework:

1. Upload final motion studies to Google Drive folder. You should have at least one per word, or more. Due at start of class Monday.

2. Bring in some objects that will help you generate sounds related to your words. a list of suggested items include:

  • nature
  • urban/rural environments
  • instruments
  • keyboards
  • toys
  • mouth
  • computer voice
  • tools
  • sampling from found sources
  • hardware/software
  • video games
  • utensils
  • household objects
  • animals: real and stuffed
  • squeezy things
  • food
  • generators/drums/midi/sequencers:
Feb 3rd

Day 6

Agenda
  • Demo: Trimming, splitting using quicktime. Image sequences.
  • Rest of class, continue in-camera motion studies
Homework:

Trim footage + upload to Google Drive (all studies are due on Monday)


Jan 27th

Day 4

Agenda
  • We will spend the first hour finishing up the shooting checklist
  • Once done, send in a screenshot of all your files with YOUR NAMES as the filename here: Dropbox Request Link
  • If you are already done with the checklist or finish early, continue brainstorming on your words.
  • Hand-in digital or physical research brainstorm lists Dropbox Request Link

  • AE Demo (30min)
  • Motion Lecture (20min)
  • In-camera type examples and inspiration(~10min)
Homework:

Be ready Wednesday to shoot your in-camera type. Make sure you bring:

  • Camera, batteries, sd cards, lighting equipment, etc
  • Your found materials, objects and assets for filming your type

Assets include any typographic compositions you want to project as digital files, typography you may have cut out, printed off on acetate, and/or plans to make handmade typography.


Jan 22nd

Day 3

Agenda
  1. Equipment Workshop
  2. Discuss Homework

For today's equipment workshop, two handy reference docs:

Homework:

1. Organize, name and review footage from today.
2. Gather remaining materials, supplies, type, etc. for next week's type workshops. Brainstorm what literal and metaphoric meanings your words have:

  • Select your 3+3+3+3 words
  • Literal meaning: Begin to understand and give meaning to your words. Start with dictionary defintions of each word. (this is the denotative)
  • Related meaning: Assign synonyms and related words.
  • Metaphoric meaning: What metaphors come to mind for each word? List them. (this is the connotative)
  • Color: What colors come to mind for each word? List them. (color can suggest meaning and/or mood)
  • Material: What materials and textures come to mind for each word?
  • Sound: What sounds come to mind for each word?
  • Cultural: What cultural cues come to mind for each word? Does the word realate to the past, present, future.

Hand in digital OR hand-made documentation of your findings.

Bring to class any assets and materials related to your words next week.

Due Monday Jan 27th.


Jan 15th

Day 2

Reminder: Please send me your VIMEO account URLs to my email.
  1. Review title sequences
  2. Demo AE
  3. Motion Lecture
  4. Equipment Talk
Homework:
Check out cameras or bring your own on Wednesday next week. No class Monday.

Jan 13th

Welcome Back

  1. Intros
  2. Intro Questionnaire
  3. Syllabus
  4. Course Site (this)
  5. Motion Lecture
  6. Project 1: Team assignments
  7. Project 1: Random Word Choice

Assignment

Each group will choose a title sequence:

  • Se7en
  • Stranger Things
  • ZombieLand
  • Dexter
  • True Detective
  • Mad Men
  • True Blood
  • Lemony Snicket's a Series of Unfortunate Events
  • Catch Me If You Can
  • Six Feet Under
  • The Island of Dr Moreau
  • Semi-Permanent Portland
  • Napoleon Dynamite

group discussion (6-9 minutes max) will be based on following overall criteria:

  1. Visual/Verbal Balance: How does the imagery and typography coexist? What is the relationship?
  2. Structures and composition: How is the screen space being used? Where is the camera?<
  3. Space Considerations: What are the spatial relationships between subject and viewer?
  4. Image and Type: What is the nature of the image? What is implied? How is type being used? What is the typography expressing/communicating.
  5. Symbols And Symbol Types: What symbolic forms are being used? Why?
  6. Time: Analyze carefully the use of time, note the time break for each change/cut/transition. What do the transitions mean to the narrative?
  7. Sound: What is the role of voice, music and rhetorical sound?
Homework:
  1. familiarize yourself with the class website and the resources available.
  2. make sure all emails go to your ccs account.
  3. if you haven't already, acquire an online backup drive or physical drive.
  4. create a required vimeo account. send to me an email with the URL to add to class site.
  5. be ready to group present your title sequences next class.

Project 1

Project Sheet

Project 1: Motion in Poetry

In 1920, one of the founding members of Dada, Tristan Tzara, wrote instructions for making a Dada poem, leaving the responsibility of selecting words and communicating ideas up to chance rather than the artist. Here are Tzara’s instructions:

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TO MAKE A DADAIST POEM

  1. Take a newspaper.
  2. Take some scissors.
  3. Choose from this paper an article of the length you want to make your poem.
  4. Cut out the article.
  5. Next carefully cut out each of the words that makes up this article and put them all in a bag.
  6. Shake gently.
  7. Next take out each cutting one after the other.
  8. Copy conscientiously in the order in which they left the bag.
  9. The poem will resemble you.
  10. And there you are—an infinitely original author of charming sensibility, even though unappreciated by the vulgar herd.

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For project 1, we will work with a similar framework to create a library of motion studies and motion posters that embody the spirit of Tristan and the Dadaists. To accomplish this students will pair up with a classmate and choose 4 words from each of the provided word boxes. Each team will have a total of 12 words that will include nouns, verbs and adjectives. Once each team has chosen, they will conduct a series of experiments utilizing type, sound and video. The goal of this project is to play with abandon and make without judgement. Once your motion studies are complete you will be introduced to a process that brings old and new meanings (and stories) to the assigned words and letters.

Duration: 7 Weeks

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